That said/panicked, it does feel like there is a lot of music worth listening to right now and that is probably a good thing. Some of these are legitimately new (as in, the last month, obv this is not the home of the hot take), some of them are older and that's ok. All in your own time. Some of these are from albums but I'm only featuring a single track because albums can be overwhelming. Everything can be overwhelming. I'm clearly feeling overwhelmed at the moment. Here is some music to take my mind off things...
Love Again - Run the Jewels. Heads up, this is RUDE and maybe offensive? It certainly starts out pretty gross but Gangsta Boo brings some great balance in the later verses. And the lyrics are sharp and the production is great and the underlying beat is addictive. I have had this stuck in my head for ages and it is just so inappropriate to even hum at the office.
Twengerbibbytwo - Aphex Swift. Unlike most of the internet I am not a Taylor Superfan. I know, it's controversial, but I cannot wholeheartedly embrace that level of pop/country. It is not where my heart lies nor will it ever be. However. I do have a huge amount of respect for her as a business woman and a craftsman (some weird gendering going on there - business man and craftswoman both sound wrong and business person + craftsperson sound hokie. Language is hard. Businesser and crafter?). I think she makes basically perfect pop songs and, sweet jebus, they are catchy and persistent. Once a Tswizz song has got inside your brain it will not let go, to the point of mild hysteria. I love how reactive and engaged she seems. Her creation of herself as the biggest selling artist of the decade seems super conscious and I admire that even when it kind of creeps me out. She puts in the work and she lets you see (some of) that and that's awesome. I love a hard worker. Anyway, the Taylor I most enjoy is creeper-Taylor, murder-you-in-your-sleep Taylor, if-you-hurt-me-or-my-best-friend-I-will-end-you Taylor, who seems to be a predominantly internet creation but who, I like to think, is based in something real. The Aphex Swift mashup album by David Rees really draws out the creepiness and it's great. Taylor's voice modification is pushed and stretched and cut every which way and it is weird and hilarious. It's. Tiiiiime.
Younger - Seinabo Sey. I managed to listen to a lot or, at least, many repetitions of Seinabo Sey before I saw what she looked like and obviously it doesn't matter what a musician looks like but also she is gorgeous and unexpected and adorable. I like her face. Music crush blown out into full blown girl crush. The video for Pistols at Dawn just came out but I can't resist the folksy hipster charm of the Younger video and it is catchy as hell. Mostly this post is just going to be about amazingly catchy songs. Her voice and register will blow your mind. I can't wait for whenever her album comes out.
Lady fronted girl pop. No, I can't love bubblegum pop but I do love me some less commercial/less tween oriented pop. Whispy girl pop, spacey Scandinavians, 60s girl bands, Fleetwood Rock blues-rock-pop (what genre is Fleetwood Mac?? All music should probably just be that genre). And there are loads of great girls/girl-led bands around at the moment. I haven't had a chance to really get involved with Haerts debut album but I'm very excited that it is here. I think they make pretty perfect pop. 27 Club is trying very hard to be Lana Del Rey but I'm enjoying Ultraviolence/todestrieb/murder-teen era LDR and the lyrics are fun and silly and it is hella catchy (again). I don't have a bunch to say about Vérité but Heartbeat is also catchy and girly and great. All the girls.
To Do List:
- Gay Dog Food - Mykki Blanco. Mykki's new mixtape is out and I've downloaded it but I haven't had much of a chance to get into it. I love her and I'm psyched for the new release but it is quite... abrasive... and it's going to take some work. I have faith though.
- Broke with Expensive Taste - Azaelia Banks. Well, I will be goddamned. I genuinely didn't think this album was ever going to be released and now here it is. Only three or four years late? And AB's sound has changed a lot in the lead up time. I've heard a couple of tracks and liked them but I can't imagine how 212 is going to sit next to Heavy Metal and Reflective. Her new sound is pretty aggressive (I mean, it's always been lyrically aggressive but sonically) but HM&R really grew on me so I presume I'll enjoy the album at large.
That's quite a lot of things but if there are other new/not new musicz that I might/probably have missed then do let me know. Only in manageable chunks though, please.